CFP: Are our archives Faster, Bigger, Stronger than ever?

For the upcoming conference of  FIAT/IFTA (the worldwide organisation that brings broadcasters and television archives together) , the organisation asks itself the question: are our archives Faster, Bigger, Stronger than ever?

FIAT/IFTA examines the archive management of massive events worldwide that thrill and impact on so many people worldwide. How are we “Tagging and Archiving world events” be they international sporting events, all consuming catastrophes or political upheavals? After the Olympics – what do we do with all that content? How was it managed during the Olympics? What are the challenges of digitization and management of large audiovisual collections and new content?

In the year and on the exact location of this year’s Olympic Games, TV archivists will gather from all corners from the world from September 28 – October 2nd.  FIAT/IFTA just issued its call for papers and invites:

  • PRESENTATIONS, either in the form of a panel discussion on the indicated theme or a paper in a specified topic.
  • WORKSHOPS of approxinately 1 hour duration; must involve a strong element of interaction with the audience.
  • POSTER SESSIONS that provide a space where members and conference participants can present their work, activities and projects.

Head over to the FIAT/IFTA website or go straight to the call for papers for more information about how, why and what to submit: http://www.fiatifta.org/wp-content/uploads/CALLFORPAPERS2012.pdf


ABC shares historic footage on Wikimedia

In honour of its 80th birthday celebration, Australian national public broadcaster ABC has decided to roll out some celebratory footage, was announced by the Wikimedia Foundation this weekend. The Australian Broadcasting Corporation

has launched a new website called “80 Days That Changed Our Lives“, giving 80 pieces of audio visual content from the ABC archives a new lease on life. Today, the ABC has also announced that it has gone a step further by releasing some of these historical news reports to Wikimedia under a Creative Commons free license.

ABC, with the support and encouragement of CC Australia and the ARC Centre of Excellence in Creative Industries and Innovation (CCi), releases some of its landmark historical audiovisual footage to Wikimedia under a Creative Commons Attribution-ShareAlike 3.0 Australia licence. This release of highly encyclopedic audiovisual history is not only a first for Australia, it is a first for Wikimedia.

This is the first time a public broadcaster uses Wikimedia to release a package of broadcast materials for free use, however there have been other examples – see our list of 90+ Open Video Web Sources You Might Have Missed, which features Al Jazeera and Open Images.

1940s Mobile studio caravan, provided by the ABC

To see what kind of material was released, you can go to Wikimedia at this instant:

You can view the collection of files on Wikimedia Commons, which all available to use, remix and share, at Category: Files from the Australian Broadcasting Corporation. Some of the important pieces of Australian history that now have freely licensed multimedia for the first time include:

You can check where these files are already being used within Wikipedia articles on the toolserver project. You can also read the press release by the ABC about this project and also the blogpost by Creative Commons Australia (which is hosted by CCi).

We think this is an exciting move, congratulate ABC on it’s birthday and will dive straight in this new resource of historical television material!

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What is Linked Open Data?

Linked Open Data is gaining traction in the information world – but remains a concept difficult to comprehend for non-technical users.  Europeana recently launched an animation to explain what it is and why it’s a good thing, both for users and for data providers.

At EUscreen, we’re avid supporters of this open way of semantically connecting the web:

  • check out our demo page, where you can  Sound and Vision developer Jaap Blom’s timeline visualisation of the EUscreen dataset
  • scroll through our expanded list of relevant sources on Open Cultural Data
  • expand your technical grasp of how Linked Open Data is implemented on our LOD page

Europeana and Linked Open Data

Europeana facilitates developments in Linked Open Data by publishing data for 2.4 million objects for the first time under an open metadata licence – CC0, the Creative Commons’ Public Domain Dedication. The concept of Linked Open Data is attracting Europe’s major national libraries: the Bibliothèque nationale de France recently launched its rich linked data resource, while the national libraries of the UK, Germany and Spain, among many other cultural institutions, have been publishing their metadata under an open licence.

Support for Open Data innovation is at the root of Europeana’s new Data Exchange Agreement, the contract that libraries, museums, and archives agree to when their metadata goes into Europeana. The Data Exchange Agreement has been signed by all the national libraries, by leading national museums such as the Rijksmuseum, Amsterdam, and by many of the content providers for entire countries, such as Sweden’s National Heritage Board. The new Data Exchange Agreement dedicates the metadata to the Public Domain and comes into effect on 1 July 2012, after which all metadata in Europeana will be available as Open Data.

Europeana is making data openly available to the public and private sectors alike so they can use it to develop of innovative applications for smartphones and tablets and to create new web services and portals. This support for commercial enterprise in the digital sector is central to Europeana’s business strategy. Metadata that is openly available is re-usable by anyone. Linked to external data sources, such as GeoNames, it’s enriched and can also be re-used by its providers as the basis of improved services to users.

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EUscreen releases open access Journal of European Television History and Culture

http://journal.euscreen.eu

Today, the EUscreen project releases the first peer-reviewed, multi-media and open access e-journal in the field of European television history and culture. The aim of this e-journal is to provide an international platform for outstanding research and reflection on television as an important part of our European cultural heritage.

The Journal of European Television History and Culture builds on recent digitisation initiatives in European archives and audiovisual libraries and addresses the need for critical study of the cultural, social and political role of television in Europe’s past and presence with the help of television material that has now become available at a large scale.

The first issue of the journal is a prototype, created in the open access publishing platform Open Journal Systems. The second version, due to appear in September 2012, will add important technical functionalities that will turn it into a true multimedia platform for online storytelling.

The Journal of European Television History and Culture has the ambition to speak to both the academic and the professional community but will address a larger audience interested in television as a cultural phenomenon, says Sonja de Leeuw, EUscreen’s project coordinator and editor-in-chief of the journal.

Broadcast historians, media studies scholars, audiovisual archivists, television professionals as well as the large group of enthusiastic fans of “old” television will have the opportunity to dive into the history and presence of European television by means of multi-media texts.

The journal is the result of a cooperation between the EUscreen platform and researchers from the European Television History Network (ETHN), which was launched in 2004 to promote a transnational perspective on the history and culture of television in Europe. It is published by the Utrecht University Library (Igitur publishing) in collaboration with Utrecht University, Maastricht University and Royal Holloway College / University of London and will be continued with funding from the Dutch National Research Board.

Visit http://journal.euscreen.eu to dive into Vol 1, No 1 (2012): Making Sense of Digital Sources

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