Enjoy these clips about the ‘British way of life’ and life across the Commonwealth in the 60s and 70s, presented by the British Universities Film and Video Council in collaboration with the British Film Institute.
Check out these exciting new events organised by British Universities Film and Video Council!
Enhancing the learning experience with AV content: licenses, quality and value for money
25 June 2014 (Manchester) and 26 June 2014 (London)
How can you engage today’s students? And how can you ensure that your institution is meeting the needs of different learners? This conference, taking place in London and Manchester, will address the benefits of using audiovisual content in learning, teaching and research. See demonstrations of BoB National, the BUFVC Box of Broadcasts, and how this service can enhance the teaching and learning experience, as well as information on audiovisual resources from the BUFVC, Jisc and beyond. Find out more
Course: Think visual: video storytelling in education
Presented by: Catherine Chambers, Open University Commissioning Producer, 3 June 2014.
This new and innovative one-day course will cover the teaching role of video. The course will aim to show participants how video can enhance the learning experience, when you might use video as a learning resource and how you would design a good learning video. As Commissioning Producer at the Open University, Catherine Chambers commissions short form content across all subject areas for multiple platforms, including iTunes, YouTube and FutureLearn Moocs. Prior to this, Catherine worked for the BBC in radio production, as well as producing video for the BBC’s 5 Live YouTube channel, and live streaming the popular Kermode and Mayo film review. Find out more
Course: Copyright Clearance for Print, Broadcast and Multimedia Production
The essential one-day course for those needing to copy, use and provide access to existing third party content in their work, delivered by expert practitioners in the field. Presented by Alma Hales, Head of Intellectual Property at the Open University and Bernadette Attwell, former Deputy Head of Intellectual Property at the Open University and co-owner of Copy-Right Consultants Ltd with Alma Hales, the course will provide participants with an up-to-date and clear understanding of how to approach the process of rights clearance. Find out more
In the era of YouTube, podcasts and vidcasts new pioneering guidelines, launched today, will be crucial for students, researchers and academics when they cite moving image and sound sources, or provide advice on referencing them.
The British Universities Film & Video Council’s (BUFVC) guidelines respond to the 2011 Jisc report, Film and Sound in Higher and Further Education: A Progress Report with Ten Strategic Recommendations. The report found that despite the exponential increase in the use of audiovisual material in teaching, learning and research in higher and further education, existing guidelines for the referencing of moving image and sound are often insufficient as they are based on standards developed for the written word. This has the effect of discouraging the citing of moving image and sound, as well as creating barriers in its discovery, use and re-use.
Professor John Ellis, professor of media arts, University of London, says: Citation exists so that you can find the source of any quotation. The rules have long since been worked out for print sources. However, for moving image and sound, no-one quite knows what to do, so references are usually imprecise and sometimes left out completely. This guide now makes it possible for any writer (even a student) to lead their readers to the exact audiovisual source they are discussing. It might seem a simple problem to solve, until you realise that there are a multitude of different types of audiovisual source!
The guidelines are practical, accessible and applicable to a wide range of different users across all disciplines. They encourage best practice in citing any kind of audiovisual item. They cover film; television programmes; radio programmes; audio recordings; DVD extras; clips; trailers; adverts; idents; non-broadcast, amateur and archive material; podcasts; vodcasts and games.
Professor Miles Taylor, director, Institute of Historical Research, University of London, says: The difficulty of referencing such important sources has only been compounded by the increasing availability of much of this material online. The wonderful new guide produced by the BUFVC cuts through the uncertainty and complexity and will undoubtedly encourage historians and researchers in other disciplines to make greater use of audiovisual source materials – whether a computer game, a television channel ident, a previously unaired radio programme or a Hollywood film. I strongly encourage journal editors in particular to add it to the guidance that they provide for authors.
Academic Working Group
To produce these guidelines, BUFVC established a working group of academics, researchers, journal editors and archivists, formed as part of the HEFCE-funded Shared Services project. Richard Ranft, head of sound and vision at The British Library, says: From the beginning of the 20th century, sound and moving image media in all their various formats have captured the most significant moments in human creativity and endeavour. Yet even in the present century, there remains doubt over the validity of referencing sound and moving images, whether in academic publishing or the popular media, due in part to the absence of accepted citation guidelines. By establishing clear instructions that are on a par with traditional bibliographic citation styles, this new publication will help unlock the vast resource that is preserved in sound and moving image archives.
This is the first edition of the guidelines and it will be reviewed periodically to respond to advances in technology, the development of new media platforms and the needs of the user. The BUFVC welcomes comments and feedback via email@example.com, or join the discussion by tweeting @bufvc #AVcitation
An interactive version of the guidelines is available to download from the BUFVC website: http://bufvc.ac.uk/avcitation/guidelines.
- Read Richard Wright’s reflection on Where Citation and Preservation Join over at the PrestoCentre blog
In the era of YouTube videos, podcasts, adverts, off-air recordings and DVD extra features, it is crucial for students, researchers and academics to be able to cite these sources properly. The BUFVC’s AV Citation Guide brings together academics, archive historians, journal editors and researchers to address the complexities of audiovisual citation.
The AV Citation Project
In an exciting initiative, the BUFVC has brought together academics, archive historians, journal editors and researchers to address the complexities of audiovisual citation. As part of the HEFCE-funded Shared Services project, this working group is currently producing a series of guidelines to enable the citation of a range of audiovisual sources for teaching, learning and research. The guidelines are being created for two purposes: to provide sensible, clear and practical uniform ground rules for the citation of audiovisual material and to ensure that all audiovisual material referenced and used in research and higher education can subsequently be found by others.
Current Citation Practice
Existing guidelines for audiovisual resources are modelled on standards established for text-based sources. They frequently privilege the author, a practice that is unsatisfying when applied to a great deal of audiovisual material. In the era of YouTube videos, podcasts, adverts, off-air recordings and DVD extra features it is crucial for students, researchers and academics to be able to cite these kinds of sources according to what is useful rather than simply the title, author, date and publisher. Useful information for audiovisual sources may include detail on date uploaded or created, version, format, date accessed, chapters, URL or point of access, and owner of material.
These guidelines don’t equal a catalogue record or a database entry. As with any source, you can find out a great deal about audiovisual material which does not need to be included in a straightforward citation. Digital records often include extensive metadata such as catalogue numbers, length of the footage in feet, the date of the original footage, when it was digitised, related items in the series and if it has been broadcast since its original transmission. This is important information, yet including all of this in a citation is not appropriate or practical.
Following a survey of existing guidelines on AV citation the working group, led by Dr Sian Barber, is now producing a set of new guidelines to offer a practical approach to this tricky problem. Once finalised, the guidelines will be thoroughly tested and incorporated into the final template. Rigorous enough to provide all the necessary information for referencing purposes and yet flexible enough to allow for the citation of material as diverse as YouTube videos, radio programmes and lecture podcasts, the guidelines will be made freely available in March 2013.
Have you ever wondered how to cite a TV advert? Or extra features on a DVD? What about a scene from a director’s cut feature film or amateur film footage held in an archive? Or how do you ensure that those writing for your journal provide enough information on the resources they have used? How can you give the best advice to students and how do you make sure that your own resources are being correctly cited?
- For more information see: http://bufvc.ac.uk/projects-research/sharedservices/avcitation
- Join the discussion on Twitter: @bufvc #AVcitation
Report by Sian Barber
Friday 2nd December 2011 saw the UK launch of the new EUscreen portal. This event took place at the British Universities Film & Video Council (BUFVC) Annual General Meeting at the Royal Geological Society in Piccadilly, London. Eve Oesterlen from BUFVC and Dr Sian Barber from Royal Holloway University of London presented the EUscreen project to an audience of 70 guests.
The focus of the event was ‘more access’ and a variety of presentations on different projects demonstrated how this issue informs and influences BUFVC activity and how the EUscreen project fits into this agenda.
Sian Barber outlined the aims of the EUscreen project and highlighted the innovative nature of the content selection policy, explaining how functionalities like the virtual exhibitions and the content provider special collections will offer different user experiences from the rest of the portal. The technical side of the project was also used to demonstrate the complexities of EUscreen with Eve Oesterlen offering a brief overview of the challenges of the metadata scheme and working with different partners, different languages and individual workflows. Sian then suggested how EUscreen content could be used and drew attention to this material as a useful resource for students, scholars, teachers and casual browsers. The presentation and portal launch focused on the objectives of the project, what has been achieved so far and how EUscreen content offers exciting research and teaching and learning possibilities. The presentation concluded with a showing of the EUscreen promotional video and a suggestion that the audience explore the EUscreen portal for themselves. Following the presentations, a number of people queried what would happen to the EUscreen site and its material once the project was completed. It was felt that such careful work and such rich content should remain available as a resource.
Launching the EUscreen portal at this event offered the site to a new audience of those who work with audiovisual resources within education. The enthusiastic response of many people to the EUscreen portal, its content selection policy and detailed metadata schema demonstrates that there is a great deal of interest in the project and that the material is viewed as a useful resource for both teaching and learning.
Other highlights of the day included a presentation by Hetty Malcolm-Smith on the BUFVC Shared Services project. This ambitious project is based on a feasibility study and aims to link up the BUFVC collections of TRILT and TVTip with BoB National and data feeds from broadcasters, Channel 4 press packs and Higher and Further Education Institutions. The project also aims to include access to VHS recordings to help create the richest source of data for education in the UK and will begin by evaluating the possibilities of such a service.
One of the key resources for the shared service project will be the Channel 4 Press packs which are currently being fully digitised as part of the 1980s project at the University of Portsmouth. Dr Justin Smith (Portsmouth) and Linda Kaye (BUFVC) introduced this four year project which began in April 2010 which will have academic outputs but will also offer a context to the digitisation process. Each page of the press packs will be created as a PDF file to ensure that it can be individually identified and to improve access for the end user. Digitising the material in this way also offers access to the related and contextual data which surrounds the core information.
The final presentation of the day focused on other projects which involve the BUFVC, notably the Chronicle project; a collaboration with JISC and the BBC which will provide restricted access to news material from BBC Northern Ireland from the 1960s and 1970s.
- Download the press release here: EUscreen launch Dec 2011 FINAL