Media Studies Seminar and EUscreen Network Meeting in Paris

EUscreen is collaborating with FIAT/IFTA’s Media Studies Commission on a joint seminar, which takes place on Monday March 20th at the ISCC in Paris. 16 papers will present different views on the legacy of May ’68 in the media. On March 21st, the EUscreen Foundation’s participants will meet in closed quarters for a full Network Meeting day.

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Call for Papers: 1968 in the Media

The Media Studies Commission of the International Federation of Television Archives announces its forthcoming international seminar to take place in Paris, on March 20th, 2017. The one-day seminar is dedicated to the media coverage of different political and social events that took place in 1968 across the globe. From the Prague Spring in the former Czechoslovakia to the student protests in Paris and civil rights movement in the United States, the protests of 1968 marked a series of national and transnational events that captured media’s attention.

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‘Audiovisual Culture, a bridge to the future’ – a report from the FIAT/IFTA conference in Vienna

Author: Andy O’Dwyer, Dana Mustata, Maria Drabczyk
FIAT/IFTA conference in Vienna

Photo by Andy O’Dwyer: Students recording an interview with speakers at the event.

FIAT/IFTA, the International Federation of Television Archives holds an annual world conference to bring their members together. At these events contemporary issues are addressed through presentations and workshops.

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Unlocking Broadcast Archives from Eastern Europe

Author: Maria Drabczyk

 

How to show and discuss difficult history? Something that is still fresh and vivid in the minds of older generation but often tends to be omitted by the younger one? Is the socialist past of Central and Eastern Europe still a topic for researchers? Those and more questions about the relevance of the archives as witnesses of the past served as a starting point for discussion during the ‘Unlocking Broadcast Archives from Eastern Europe’ seminar in Bucharest.

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Registration now open for the FIAT/IFTA Television Studies Seminar on Documentary

fiat-ifta

FIAT/IFTA, the International Federation of Television Archives, organizes a two-day international seminar on television documentary. The seminar is organized by the FIAT/IFTA Television Studies Commission whose aim it is to promote academic research of the holdings of television archives that are a member of the federation. The seminar will take place at the Netherlands Institute for Sound and Vision in Hilversum on 13 and 14 March 2014.

Former and current practitioners, representing different generations and countries, will discuss their work in a witness seminar and extracts from their work will be screened.

The seminar costs € 25-, for one day and € 35-, for both days. Because of the limited seats, we ask you to register as soon as possible. Register at:https://www.eventbrite.nl/e/fiatifta-seminar-television-documentary-tickets-10537101755

More information at: http://www.beeldengeluid.nl/en/TSCSeminar2014

 

Virtual Exhibitions shortlisted for FIAT/IFTA’s Archive Achievement Awards.

EUscreen’s Virtual Exhibitions entered the second round of one of the most prestigous competitions in the audio-visual archiving domain: FIAT/IFTA’s Archive Achievement Award 2013. It presents the most exciting audiovisual projects of the year and invites you to choose your favourite and vote for it.

The EUscreen Virtual Exhibitions have been shortlisted in the category Most Innovative Use of Archive. We’re most happy to say that we compete wagainst two projects that are close to us: EUscreen partners RTÉ Archives & Sound and Vision have been nominated with respectively The School Around The Corner and The Sound of the Netherlands.

Exhibiting EUscreen

To help users get the most from the EUscreen material, researchers, experts and members of its partner broadcasters and audiovisual archives have created a series of online exhibitions. They cover historical events, political debates and everyday life in Europe. Designing the VE tools has included various activities. Virtual Exhibition builder prototypes have been developed and tested incrementally in order to reflect the needs of the different users and to improve the ease of use.

The tools designed for these exhibitions allow for the insertion of multimedia materials from all the project’s content providers. The clips link back to the original items on the site, where users can find out more about them, share the links or get in touch with the providers themselves. 23 exhibitions with multiple strands have been produced in 2012. In the new EUscreenXL project, we’ll be working on pilots to get the tools ready for everyone to start creating their own exhibitions.

Archive achievements

The worldwide organisation FIAT/IFTA has been handing out Archive Achievement awards since 1994. A professional jury decides on the winners, but in certain categories voting is open for the wider audience. The votes from all over the world are collected by August 12th, 2013 and a winner will be announced on October 26th at the Archive Achievement Awards Ceremony during the 2013 FIAT/IFTA World Conference in Dubai. Enough time. we’d say to take a look at the various inspiring archival projects and to give your vote to the project you like best.

More information:

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Metadata as the Cornerstone of Digital Archiving

FIAT/IFTA Media Management Commission logoChanging Sceneries, Changing Roles: Part VI

The International Federation of Television Archives (FIAT/IFTA)’s Media Management Commission organises an international seminar on metadata and it’s significance for digital AV-archiving on the 16th and 17th of May 2013 at the Netherlands Institute for Sound and Vision  in Hilversum.

Since 1997, the Media Management Commission of FIAT-IFTA has organised a series of seminars for AV-documentalists, archive policy-advisers, middle management and staff. The main theme of these seminars is always: the consequences of the technological developments for the work of moving image and sound archivists. This year, the MMC dedicates its 6th Seminar in the serial Changing Sceneries, Changing Roles entirely to the phenomenon of metadata and its increased significance to access, collection management and the preservation of AV-collections.

In digital archiving, the concept of metadata is crucial. Only with the help of metadata can archives make their treasures accessible to users: metadata is capable of linking the contents of many different collections, forming a huge worldwide (or, in the case of EUscreen: European-wide) network of online sound and images. Ingesting, managing and preserving the rapidly growing amount of digital files in each individual archive would be impossible without the controlling power of standardised metadata.

Programme

The two days of the seminar will be divided into four sessions that each consist of a keynote address, two to three case studies/concrete projects and panel discussions. The four types of metadata developments that will be addressed in the four sessions are:

  1. Automatically generated metadata (keynote: Cees Snoek , computer scientist at the University of Amsterdam who leads a research team working on the development of a smart search engine for digital video: the Media Mill Semantic Video Search Engine)
  2. Linked (meta)data (keynote: Seth van Hooland, who holds the chair at the Digital Information and Communication Science Department of the Université Libre de Bruxelles)
  3. Preservation metadata (keynote:  Rebecca Guenther, who works at the Library of Congress and is currently the worlds leading authority on Preservation Metadata Implementation Strategies or PREMIS)
  4. User-generated metadata (keynote: Lora Aroyo, associate professor Intelligent Information Systems at the Web and Media Department of  Computer Science at the VU University Amsterdam)

While the  keynote speakers will explore these areas, archive-practitioners from prestigious broadcasters and institutions will present how they collect, create and employ metadata in new and/or digital ways. Every session is evaluated by way of discussions between a variety of AV-experts, focusing on the professional impact of the presented views and developments.

More information

 

The Olympic Television Studies Seminar

On September 28th, 2012 the Television Studies Commission of the International Federation of Television Archives, FIAT/IFTA, organised a one-day seminar at the British Film Institute in London. It was the second international television studies seminar organized by the TSC, after the first one took place in Paris at l’Institut National de l’ Audiovisuel in 2010. The seminar brought together television studies scholars and television archivists from around the world. In the year of the London Olympics, the morning session discussed the theme ‘Sport and the Olympics’.

Report by Dana Mustata, University of Groningen

Mette Charis Buchman presenting DR

Dr. Eggo Müller from Utrecht University opened the event with a keynote speech on the Mediatization of Sport. He discussed sport in relation to a process of mediatization, zooming in on the diverse logics of sport and media and how the two intertwine. Arguing that sports and its mediatisation are in fact two sides of the some coin, Eggo Müller pointed out that the sports spectator’s has an intrinsic longing for mediatisation that is attained through processes of identification, representation and contemplation. Mette Charis Buchman from Danmarks Radio Archives continued the series of talks on sport and television with a visual journey through Danish archival footage on the Olympics, accompanied by brief history of Danmarks Radio Archives.

The afternoon sessions presented academic papers based on research done in several FIAT/IFTA member archives. In the panel Media and Politics, Ken Griffin from the University of Ulster drew upon research carried out at Ireland’s National Television and Radio Broadcaster RTÉ to discuss RTÉ ‘s early cross-border cooperation with the Northern Irish broadcaster UTV. Concepción Cascajosa from Carlos III University of Madrid illustrated footage from the Spanish broadcaster RTVE and discussed images of the masses as a representation of change in the aftermath of Franco’s death. Berber Hagedoorn from Utrecht University exemplified how Dutch broadcast archival footage is used in today’s multi platform television to visualize the history of World War II for young audiences in the Netherlands.

The last panel of the day, British Perspectives, provided insights into different aspects of the history of British television. Elinor Groom from Nottingham University presented the findings of her research at the BFI Archives on the early history of ITV’s regional franchise Southern Television. Lisa Kerrigan from the British Film Institute (BFI) introduced lost footage of British television drama, which was recently rediscovered at the Library of Congress. Nathan Budzinski discussed the British television documentary tradition, zooming in specifically on the work of John Grierson. At the end of the day, Dana Mustata from the University of Groningen presented the open access journal VIEW. She spoke about the collaborative practices between academics and archivists on the journal and the ways in which the journal promotes innovative ways of writing television histories in a multi-media environment, allowing the integration of archival sources within academic articles.

The seminar enabled a bridge of dialogue between television scholars and television archives and encouraged fruitful exchanges between them. Several members of the European Television History Network and EUscreen were present at the event. The seminar was organized under the umbrella of the FIAT/IFTA World Conference, which also hosted a joint EUscreen and Europeana panel. In the panel, Johan Oomen from the Netherlands Institute of Sound and Vision, David Smith from Europeana, Marco Rendina from Cinecittà Luce and Dana Mustata spoke about the accomplishments of EUscreen, offered a sneak preview into EUscreenXL and the future of online audiovisual archives and emphasized the value for television research of online audiovisual databases.

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