EUscreen focus groups interviewed in Utrecht

In July ’13, Berber Hagedoorn (UU) and Willemien Sanders (UU), with assistance from Vera Schoonbrood (UU Research Master student) hosted two focus groups and an in-depth interview to discuss improvements for the EUscreen portal and, more specifically,  to refine user requirements. The aim was to get input from both researchers and students, who also contributed in their role as general user, on what would invite them to use the portal, and which additional functionalities, tools, and contextualization they would need to carry out research effectively.

 

Report by dr Willemien Sanders from Utrecht University

Researchers from the Department of Languages, Literature and Communication, the Department of History and Art History, and the Department of Media and Performance Studies within the faculty of the Humanities of Utrecht University participated in the first focus group. Speaking specifically from a researcher’s perspective, they discussed ways to better present, search, and link the content of the site.

A second focus group included students from the Department of History and Art History, and the Department of Media and Performance Studies. Both in their roles as students and as ‘general users’ of the EUscreen portal, they discussed the use of the portal for their student work as well as ways to collaborate and share.

The focus groups were followed up by a questionnaire, informed by the focus groups findings, which is aimed at assessing user requirements in a broader field of researchers and students/general users.

The meetings in Utrecht are part of a series of activities aimed at contextualizing the content of the portal for various users. These activities are carried out by different EUscreenXL partners across different countries.

 

 

 

 

 

 

 

How to Aggregate and Enrich Television Content

EUscreenXL Regional Workshops

A report by BUFVC’s Andrew Ormsby.

Content providers from archives and broadcasters across Europe attended EUscreenXL workshops in London, Warsaw and Barcelona during May and June as part of Work Package 2: Aggregating and Enriching Content. The British Universities Film and Video Council (BUFVC), NInA (The National Audiovisual Institute of Poland) and Televisio de Catalunya (TVC3), generously hosted a series of busy and productive meetings, with presentations, demonstrations, discussions and one to one sessions.

Work Package 2 forms the bedrock of the EUscreenXL project: its objective is to add at least one million aggregated metadata records of audiovisual items to Europeana, as well as adding an enriched core collection of 20,000 moving image items to the EUscreen portal.

During the workshops Marco Rendina of Cinecittà Luce spoke about metadata schema, Dr Rob Turnock of Royal Holloway, University of London, presented an overview of content selection policy, and Eve-Marie Oesterlen and Andrew Ormsby, of the BUFVC, outlined a proposed workflow plan for the aggregated content and the enriched core collection. Vassilis Tzouvaras (in London) and Arne Stabenau (in Warsaw and Barcelona), from NTUA, gave technical demonstrations of the MINT tool, showing content providers how to import datasets and map their metadata schemas in preparation for publication to Europeana and the EUscreen portal.

In addition, in London, Eve-Marie Oesterlen spoke about the BUFVC’s work and showed clips from the Roundabout collection. This consists of 600 films from the Technicolor cinemagazine Roundabout (1962-1974) which are now freely available on the BUFVC website. At the Warsaw workshop Karolina Czerwinska explained how NiNa is taking the lead in the digitisation and publishing of archives documenting Polish audiovisual heritage. In Barcelona, Imma Rull very kindly led the group on a fascinating tour of the TVC3 archive.

A series of focused one to one sessions on the final day of each workshop, gave content providers the opportunity to discuss metadata, content selection, IPR issues, technical matters and workflow with the WP2 team. The results of the workshops will now feed into the meeting in Mykonos in September, when the WP2 team will present the finalised metadata schema and content selection policy as well as the finalised delivery workflow, along with guidelines for support and monitoring for the duration of the project.

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Conference update: Final programme announced

The Second EUscreen International Conference on Use and Creativity takes place at the National Library of Sweden, Stockholm, on September 15-16, 2011.
Attendance is free, but registration is required at http://euscreen2011.eventbrite.com.

Conference programme final
After a first successful conference on the contextualisation of audiovisual material in October 2010, the network now organizes a second conference on use and creativity in the audio-visual domain.

After a few updates on speakers, which could be followed on the EUscreen blog pages at http://blog.euscreen.eu, the programme is now in its final stage and participants are encouraged to make their registrations and travel arrangements.

Highlights from the programme
The first day of the conference will present its participants with a varied mix of keynote lectures and case studies by renowned experts in the field. Lynn Spigel from Northwestern University will be speaking about analogue nostalgia, Dagan Cohen will talk about how the Upload Cinema initiative brings curated online video to the big screen and Paul Ashton will talk about the possibilities for online audio-visual media to push education forward and create a teaching platform for professionals.

Aubéry Escande from Europeana/The European Library, Kajsa Hedström from the Swedish Film InstituteJohan Axhamn from Stockholm University and Peter B. Kaufman from Intelligent Television will present different case studies. These contain means for encouraging user engagement on the Europeana portal, for providing online access to film collections through the Swedish filmarkivet website and for devising licensing solutions to the online dissemination of Europe’s cultural heritage.

Jérôme Bourdon will close the first day with a presentation of his research into global media and the Israeli-Palestinian conflict in his talk, which is titled “A case of cosmopolitan memory?”

The second day will consist of two workshop sessions. In the morning the topic of a user community will be tackled, focusing on how EUscreen services can be exploited in learning, research, leisure/cultural heritage and creative reuse.
Dana Mustata from Utrecht University will start the discussion with her talk on “Doing Television History outside the Box”, after which Pere Arcas from Televisió de Catalunya, Roland Sejko from Cinecittá Luce and Andreas Fickers from Maastricht University will present case studies in the learning, cultural heritage and research domains respectively.

The afternoon session will focus on funding opportunities and sustainable business models for the digitisation of audiovisual material.
Luca Martinelli from the European Commission will present an overview of funding opportunities at EU level. Marius Snyders from PrestoCentre, Catherine Grout from JISC and Martin Bouda from the Czech TV archive will present complementary case studies on this topic.

Updates & Registration

Please go to http://euscreen2011.eventbrite.com for programme updates and make sure to register in time for this event.

Downloads

Download the full conference programme here!

License to Remix! – Experiences from the Video Remix Workshop and the IPR workshop

By Kati Hyyppä, Sanna Marttila and Wietske van den Heuvel 

The License to remix! video remix workshop was organized in the context of the EUscreen project and the Remix Helsinki initiative last November in Helsinki, Finland. The workshop promoted creative, legal re-use of audiovisual media, and archival content in particular. Eleven young adults participated in the one weekend event, creating remixes with video editing programs and VJing equipment. Sanna Marttila and Kati Hyyppä, researchers from the Aalto University’s School of Art and Design, who organized the workshop in collaboration with their colleague Andrew Gryf Paterson, also interviewed the participants in order to obtain insight to emerging remix practices and challenges in legal remixing.
 
The workshop was overall a positive experience and showed that people are interested in using archival audiovisual materials creatively. However, the interviews with the participants revealed that it is not currently easy to find legal, relevant video and audio content for creative works. Licenses and terms of use are also experienced as confusing, and it is hard to determine which materials can be mixed together. The findings of the workshop thus highlight the need for an easy access to archival videos as well as clearly expressed terms of use.
 
The outcomes of the workshop were presented along with a framework of creative re-use of audiovisual content by Sanna Marttila and Kati Hyyppä during the Remix Cinema Workshop at the University of Oxford (UK) on March 24th. The presentation during the latter event, titled ‘Practices and Challenges in Re-using Archival Video Materials’, was received positively, and will be published later as an article.

The results of the first workshop were also presented during the internal IPR workshop at the Netherlands Institute for Sound and Vision (NL) on March 16. During this workshop, partners from the EUscreen consortium discussed about the IPR limitations they face when providing access to audiovisual content. These limitations still causes difficulties for partners and it affects their content selection policy. One of the goals in EUscreen is to develop examples of how a less restrictive legislation like CC-licenses can create better and more meaningful access to audiovisual content. This is especially beneficial for students, teachers, researchers, media professionals and other users that need to be able to re-use audiovisual content. In order to facilitate this, EUscreen will provide access to a limited collection of CC-licensed material during the next two years of the project. The workshop also showed that all partners see the potential in offering this kind of access and that they would be happy to open up their content more, if only they could.

EUscreen has organised a workshop on IPR-issues

By Wietske van den Heuvel

Date: March 16
Place: Hilversum, the Netherlands

Intellectual Property Rights (IPR) legislations are different in every European country. One of the major challenges for content providers in EUscreen is to make sure that they provide content which applies to all these different regulations. A lot of work has already been done in the consortium and partners have organised their own systems of clearing the rights. Still, there is a need for more elaboration on this subject and that is why EUscreen has organised a one day workshop for its members at the Netherlands Institute for Sound and Vision in Hilversum on March 16. The workshop will contain discussions about the impact of IPR on a project like EUscreen and identifies potential challenges to support future access routes to audiovisual content. There will also be presentations about use cases elsewhere on education and open licences, which provide inspiration for the development of EUscreen.

EUscreen workshop on user requirements in Amsterdam

A workshop on user requirements has been held on March 31 in Amsterdam at the venue of Noterik. The workshop was attended by members of the working group on new services development and business models, technical partners and task leaders of Work Package 5, Use Case Development. The meeting was led by András Bálint Kovács from ELTE University and work package leader of WP5.

Aim of the workshop was to gain more insight in the user requirements for the various user groups of EUscreen. Preliminary to the workshop, focus groups and surveys have been held amongst the different user groups. The results of this research have been discussed during the meeting and provided the basis for the list of user requirements. The next step will be to translate these requirements into a first design of the EUscreen portal, which is scheduled to be online in January 2011.

The workshop also provided input for the market survey that is conducted by The Netherlands Institute for Sound and Vision. Parts of this market survey will become available online on www.euscreen.eu in the course of May 2010.

First EUscreen regional workshop held in London

The first EUscreen regional workshop has been held in London on February 5 at the BUFVC venue. The workshop was the first in a series of three. During the workshops, archivists from the consortium gather to discuss issues regarding content selection policy, IPR and the metadata schema that will be used in EUscreen. The other two regional workshops will be held in Barcelona on February 15 and Budapest on February 22.

Official launch of EUscreen

The EUscreen project was officially launched on October 8, 2009 at the Netherlands Institute for Sound and Vision in Hilversum during a two-day meeting. The program included plenary sessions by the project coordinator, the technical coordinator, the work package leaders, the liaison office and Mark Röder from the European Commission, working group sessions and showcases with television material from the partner archives.

EUscreenlaunch

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